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星期一, 3月 18, 2019

HUNTINGTON THEATRE COMPANY OFFERS FREE TICKETS TO ROMEO AND JULIET TO ALL YOUNG PATRONS

HUNTINGTON THEATRE COMPANY
OFFERS FREE TICKETS TO ROMEO AND JULIET
TO ALL YOUNG PATRONS


(BOSTON) – In an effort to engage young, new audiences and offer the opportunity to experience equal representation on stage, the Huntington Theatre Company has announced that it will now offer free tickets to all young patrons 25 and under for the remainder of performances of Romeo and Juliet. Romeo and Juliet is now playing through March 31 at the Huntington Avenue Theatre (264 Huntington Avenue, Boston).

“Young adults are responding with enormous enthusiasm to Romeo and Juliet, both to the dynamism of Peter DuBois’ production and the diversity of the world on stage,” says Huntington Managing Director Michael Maso. “We decided that during the last two weeks of this production any young person should be able to come experience it without the barrier of cost.”

The Huntington Theatre Company believes that theatre should be accessible to everyone and strives to reflect the diversity of our communities on our stages. This production of Romeo and Juliet is the epitome of that philosophy. By removing the barrier of affordability, we are giving every young person a chance to experience this wonderful and topical production. On a larger scale, this offer is part of the Huntington’s initiative to ensure the life of live theatre by inviting young voices to be a part of the conversation started on stage.

Artistic Director Peter DuBois’ staging of Romeo and Juliet seems to be striking a cord particularly with young patrons. Whether it is George Hampe and Lily Santiago’s unique and intrinsically current interpretations of the title characters, the fiercely contemporary design by our Broadway-caliber creative team, or an all-star supporting cast of Boston talent, response from young patrons of the Huntington Theatre Company has been unprecedented and exuberant. Critics agree with them; Jared Bowen of WGBH exclaimed, “Love is in the air at the Huntington! I’ve never seen a production like this before. I really enjoyed it!”  BroadwayWorld’s Nancy Grossman says, “A contemporary, muscular version of the romantic tragedy. DuBois' updating affirms the timelessness of one of the Bard's most enduring works.”


Their enthusiasm has inspired us to see to it that as many young people as possible have the chance to see this inclusive and timely production of one of Shakespeare’s most popular works.

To take advantage of this offer, tickets are available starting 2 hours before curtain at the Huntington Avenue Theatre Box Office. Please bring student ID (or any form of age verification). Limit 1 ticket per ID. Tickets are subject to availability and the offer does not apply to prior purchases made for this production. For more information including showtimes, please visit huntingtontheatre.org.
Newcomers George Hampe (Regrets at Manhattan Theatre Club) and Lily Santiago (A Doll's House, Part 2 at George Street Playhouse; Othello at The Public Theater) make their Huntington Theatre Company debuts as Romeo and Juliet. Joining them is a cast of familiar local natives and Huntington favorites including Elliot Norton Award winners Marianna Bassham (I Was Most Alive with You, Becoming Cuba at the Huntington) as Lady Capulet; Nancy E. Carroll (A Doll’s House, Part 2; Ripcord at the Huntington) as the Nurse; Matthew J. Harris (TartuffeTopdog/Underdog at the Huntington) as Mercutio; Will Lyman (Guess Who's Coming to DinnerAll My Sons at the Huntington) as Friar Laurence; Nael Nacer (A Doll's HouseBedroom Farce at the Huntingtonas Lord Montague, and Maurice Emmanuel Parent (Skeleton CrewMerrily We Roll Along at the Huntington) as Lord Capulet.
The cast of Romeo and Juliet also includes Matthew Bretschneider as Paris (Tartuffe, Dead End at the Huntington); Ed Hoopman (A Civil War Christmas at the Huntington) as the Prince; Celeste Oliva (Sheer Madness at the Charles Playhouseas Lady Montague; Omar Robinson (Tartuffe at the Huntington) as Benvolio; and John Zdrojeski (Huntington debut) as Tybalt. Rounding out the ensemble are Margaret Clark, Zaven Ovian, Dale Place, Khyati Sehgal, and Kai Tshikosi.
Romeo and Juliet includes scenic design by Wilson Chin (Skeleton Crew and Tiger Style! at the Huntington; Next Fall on Broadway), costume design by Ilona Somogyi (FallDisgraced, and Good People at the Huntington, Clybourne Park on Broadway), lighting design by Russell H. Champa (A Guide for the HomesickNow or Later and Captors at the Huntington), with sound design and original music by Obadiah Eaves (Shining City at the Huntington; extensive Broadway credits include Saint Joan, The Country House, The Assembled Parties, Harvey). Production stage manager is Emily F. McMullen and stage manager is Kevin Schlagle.

Eastern Bank Corporation Announces Record 2018 Financial Results

Eastern Bank Corporation Announces Record 2018 Financial Results
Net Income, Total Assets, Loans, Deposits, Insurance, Wealth Management and Capital All Reach New Highs for Second Consecutive Year
BOSTON, March 18, 2019 – Eastern Bank, America’s oldest and largest mutualbank, today announced record financial performance in 2018, following record financial performance in 2017. Annual net income in 2018 was $122.7 million, more than 40 percent above last year’s level. Total assets ended 2018 at $11.4 billion, also an all-time high and a 5 percent increase from 2017. Loans, deposits and capital levels also set records. Loans totaled $8.8 billion in 2018, up 7.6 percent from 2017; deposits were $9.4 billion, up 7 percent from 2017; and capital exceeded $1.4 billion, up nearly 8 percent over 2017. Loan credit quality remained stellar with very low loan losses of 0.10 percent of average loans and non-performing loans of 0.29 percent of total loans, leading measures among national and local banks.
“Eastern once again posted record earnings in 2018,” said Bob Rivers, Chair and CEO of Eastern Bank. “Generating record financial results is not an end in and of itself, and as the oldest and largest mutual bank in the U.S., our success is directly linked to the strength of the communities we serve. We are driven by a fiduciary responsibility to preserve and grow our capital base to support the continued growth of our business so that our local communities thrive. We thank our customers, colleagues and community partners for making 2018 another outstanding year.”

Rivers added, “2018 would not be complete without also thanking our Immediate Past Lead Director Wendell Knox, who retired from Eastern’s board after more than 20 years of service. We are deeply appreciative of his many insights and contributions through the years.”

Eastern benefitted from rising interest rates and a strong local economy to generate record results. Net interest income was $390 million, a $51.5 million increase over 2017, as higher interest rates of loans and investments exceeded higher costs of deposits and other funding. The net interest margin improved to 3.84 percent from 3.65 percent in 2017.
“All our businesses had very successful years, with our Commercial Banking Group performing exceptionally well as commercial loans increased 10 percent,” said James B. Fitzgerald, Vice Chair, Chief Financial Officer and Chief Administrative Officer of Eastern Bank. “We believe we are well positioned for continued success and look forward to achieving new highs in 2019.”
Other 2018 financial performance highlights include: 
  • Continued strong commitment to Small Business, with Eastern ranked the #1 SBA lender in New England for the 9th consecutive year;
  • Total premiums written by Eastern Insurance Group exceeded $1 billion for the second year in a row, resulting in record revenues of over $90 million, supported by three insurance agency acquisitions in 2018; President and CEO Hope Aldrich also celebrated 20 years of leadership;
  • Eastern Wealth Management’s investment management fees increased 8 percent to $19.1 million, its sixth consecutive annual record; and
  • Eastern ended the year with over $1.4 billion in capital, which exceeds the “well-capitalized” standards set by regulators, and maintained an extremely strong balance sheet with excellent loan quality, ample liquidity, and robust capital levels.
Eastern continued the second year of its Join Us For Good campaign in conjunction with its bicentennial celebration. This program inspires customers, communities and others to join together to “create a movement” to do good things and help people prosper. As part of this campaign, Eastern welcomed Aly Raisman as its newest Partner for Good, joining David Ortiz and Doug Flutie, and was a leader in the business community advocating for Gateway Cities, underserved communities, military veterans and their families, the advancement of women and transgender equality.

Eastern’s commitment to philanthropy and community service focused on serving basic needs in the community while honoring the Bank’s first customers who were predominantly women. The Eastern Bank Charitable Foundation provided over $9 million to local efforts to ensure equal access to basic human services. In addition, “Advancing Women” was a targeted area of giving, with more than $2.2 million granted to community-based organizations addressing issues that inhibit the advancement of women and girls. Eastern employees donated more than 50,000 hours to organizations and causes important to them, and Eastern was recognized by the Boston Business Journal as the most charitable bank in Massachusetts. 

GBCCA講座 路永宜教護膚

       (Boston Orange)大波士頓中華文化協會系列講座,日前請出在麻州,紐約州都拿有美容師執照,並持有CIDESCO國際美容師文憑的路永宜,以"皮膚保健一、二事"為題,暢談皮膚保養。
大波士頓文化協會(GBCCA)會長劉瑋珊(右三)和主講者
路永宜(中)等人合影。(主辦單位提供)
        開設有Emerald Aesthetics Studo的路永宜,這天的講座內容包括,你認識皮膚嗎?了解自己是哪一種膚質嗎?要怎麼保養才能讓自己變成東方不敗?
       大波士頓中華文化協會特地錄製了講座實況,已上傳到youtube上和大眾分享,查詢內容可上網: https://www.youtube.com/watch?v=HqjIqADnsNI

路永宜(左)。(主辦單位提供)

波士頓首次演出中國歌舞劇 昭君出塞華麗奪目

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             (Boston Orange 張雨坤波士頓報導) 中國歌劇舞劇院的原創大型舞劇昭君出塞31617兩日在波士頓舒伯特劇院掀起驚嘆聲,為中國歌舞劇的首次來到波士頓演出,博得一片好評。
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昭君出塞這舞劇,以王昭君遠嫁匈奴求和這中國民間故事為主軸,由孔德辛執導編舞、于平編劇、張渠作曲,2016年在北京舞蹈學院首演,2017年登上墨西哥國家大劇院,為中國文化年做閉幕表演,所到之處,均大受歡迎。
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316日晚,該劇來到波士頓,在舒伯特劇院裏再獲讚美。座無虛席,絕大多數都是亞裔面孔的觀眾,在每一幕結束時,都報以如雷掌聲,離場時議論紛紛的表示,沒想到那麼好看,無論是舞台佈置,演員服飾,全都炫目,亮麗,雖然因為沒有台詞,舞劇情節進展只能猜測,但全都被那場面震攝住了。
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這舞劇的主要情節是穿著一襲紅衣的昭君,主動請纓出塞,成為匈奴首領呼韓邪單于的妻子,為漢朝和匈奴之間爭取到和平,並跟著丈夫一起救助被瘟疫圍困的匈奴人民,在丈夫死後,還選擇在塞外度過一生。
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《昭君出塞》給觀眾帶來的是無可挑剔的視覺享受。大到漢朝和匈奴士兵展示武力的群舞、批黑袍蒙面的匈奴巫醫陰怖的儀式,小到漢宮宮女頭上叮鈴作響的頭飾和出賽的隊伍之上飄逸的旗幟,不管是整體層次還是具體細節,都讓人目不暇接。劇中人的情緒被舞蹈動作放大,被華麗的服飾和精緻的妝容襯托,和多元的音樂一起把觀眾們從漢宮帶到了塞外。昭君自願出塞時的猶豫,回憶中戰亂來襲前的無憂無慮,為了和平留在邊疆和救匈奴人民於瘟疫時的堅定,還有呼韓邪單于去世時的痛不欲生:她的每一次掙扎和抉擇都釋放著超越了語言的局限的舞台張力。每一幕結束,台下都會響起掌聲。
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令人印象深刻的第二幕裡,回憶中的昭君和宮女們在仙境般的故鄉中舞步輕盈,直到音樂和燈光突變,匈奴士兵衝上舞台,擄走了宮女們,留昭君一個人在台上獨舞。在這弗洛伊德式的戰爭解讀裡,女性在敵人面前是弱勢無助的。但當王昭君在婚禮上求得了漢朝和匈奴之間的和平,女性的堅韌上升成為了主題。 《昭君出塞》中的昭君在有限的自由中掌握了自己的命運,並且用一己之力把個人的悲劇變成了民族的喜劇。
昭君出塞在波士頓一連演出兩場後,轉往紐約林肯中心的大衛寇克劇院,在321-24日演出。(修訂版,所有圖片由舒伯特劇院提供,Robert Torres攝)

星期日, 3月 17, 2019

2019 Seafood Champion Awards Finalists Announced

2019 Seafood Champion Awards Finalists Announced 
Collaboration throughout diverse cultures and perspectives thrive  
Boston, MA (March 17, 2019) – Today at Seafood Expo North America, SeaWeb and Diversified Communications announced the 2019 Seafood Champion Awards finalists. The 17 finalists exemplify the incredible work being done by the seafood industry and key stakeholders to make seafood a healthy, environmentally, socially and economically sustainable protein. 
The Seafood Champion Awards seek to inspire and catalyze change by providing a platform to recognize those who are committed to overcoming obstacles, seeking novel solutions and fostering strategic partnerships to advance seafood sustainability. This year's Seafood Champion Awards finalists represent a diverse cross-section of individuals, governmental organizations, nongovernmental organizations (NGOs) and seafood companies from all corners of the globe.  In addition to geographic and industry diversity, the Seafood Champion Awards is committed to elevating under-represented voices and promoting greater gender diversity in the seafood movement. Notably, the women finalists represent an array of accomplishments, including how we produce, process, sell and consume seafood. 
"This year's nominations demonstrate that change can come from anyone, anywhere and reflect how collaborations across culture, gender and industry silos are critical to advancing the sustainable seafood movement," said Meghan Jeans, SeaWeb Program Director at The Ocean Foundation. 
Whether promoting market-based approaches to improve seafood sustainability, improving social equity for small scale fishers, or advancing unique approaches to vessel monitoring for improved maritime security and sustainability, this year's Seafood Champion Awards finalists reflect the wide spectrum of interests, expertise and strategies needed to make meaningful progress. 
The annual Seafood Champion Awards program recognizes individuals and organizations in four categories: Leadership, Innovation, Vision and Advocacy. The winner in each category will be announced at a ceremony on June 11 at the SeaWeb Seafood Summit in Bangkok, Thailand. 
The Seafood Champion Award for Leadership recognizes people and organizations that bring stakeholders together to improve seafood sustainability or ocean health. The finalists are: 
  • Susan Jackson, President of the International Seafood Sustainability Foundation (ISSF), a global partnership of scientists, tuna processors, environmental non-profits and others focused on tuna stock conservation and the marine ecosystem. Susan founded ISSF with tuna industry leaders and the World Wildlife Foundation (WWF), and under her leadership ISSF has been a valuable conduit for collaboration for conservationists as well as business leaders worldwide by bringing together science, industry and environmental NGOs and government stakeholders working towards the long-term sustainability of tuna stocks.
  • World Animal Protection's Global Ghost Gear Initiative (GGGI), a multi-stakeholder alliance that drives solutions to the problem of lost and abandoned fishing gear around the world. GGGI aims to improve the health of ocean ecosystems, protect marine animals from harm and safeguard human health and livelihoods. It is the first initiative dedicated to tackling the problem of ghost fishing gear at a global scale.
  • Wakao Hanaoka. Since establishing Seafood Legacy in 2015, a social venture based in Tokyo that provides sustainable seafood consulting services, Wakao Hanaoka has focused on building Japan-centric solutions for seafood sustainability by addressing the importance of domestic, business-led initiatives to drive regulatory reforms. As a Japan-based organization, Seafood Legacy and Wakao are building bridges between the Japanese market and the global sustainable seafood community to accelerate positive change and strengthen harmony, a key value in Japanese business culture. His strong initiative is now combined with the 2020 Tokyo Olympics, making sustainability a new norm.
  • Hannah Macintyre is Aquaculture & Fisheries Manager for Marks and Spencer (M&S), a UK retailer of food, clothing and furniture. In 2018, under Hannah's leadership, M&S launched a platform to allow consumers to trace their products, affirming that 100% of M&S's seafood products are sourced from sustainable fisheries. This platform is a first of its kind for a retailer - putting M&S at the forefront of the sustainable seafood movement. Within the UK retail space, she is responsible for M&S's robust sustainable seafood policy that wins consumer trust (some 21 million M&S customers each week) and NGO backing (repeatedly ranking as a 'Top Tuna Brand' by Greenpeace). 
The Seafood Champion Award for Innovation recognizes those who identify and apply new solutions to ecological challenges, market needs or sustainability barriers. The finalists are: 
  • Blue Star Foods, a seafood company working to improve the lives of artisan fishers and the sustainability of the fishery. Artisanal fisheries have unique socio-economic and environmental challenges that are often overlooked by the global sustainable seafood community. Overcoming these barriers to sustainability requires innovative solutions. Blue Star Food's unique approach to small-scale blue swimming crab fisheries in Indonesia and the Philippines is contributing to more socially-responsible and environmentally sustainable fisheries. In addition to creating an innovative traceability application that uses machine learning to analyze catch data for fishery monitoring; Blue Star has established fishing cooperatives that shield fisherman from predatory loans by offering microfinancing at low rates and the ability to create a savings account from a percentage of their profit. They are also spearheading group registration efforts and drastically reducing the registration cost for crab fishers.
  • OceanMind brings a unique approach to vessel monitoring, control, and surveillance (MCS), one that combines technological tools and law-enforcement-style capacity building to create a culture of compliance in the oversight of a country's fishing fleet. A few years ago, they brought their pioneering approach and their ability to build strong partnerships to pursue a program of work with the Royal Thai Government's Department of Fisheries (DOF) to provide MCS support and to build capacity, as the government created agencies, processes and onboarded technology to gain control over their sizeable commercial fishing fleet.
  • Catalina Offshore Products' (COP) project: A Culinary Engineering Approach to Increasing the Value of Local Fisheries: Reducing Fish Discards at Sea and Promoting Full Utilization is helping local fishermen increase the value of their catch. The project is a partnership between COP, scientists at the NOAA Southwest Fisheries Science Center, San Diego fishermen and leading chefs, all working together to improve the sustainability of local fisheries.
  • Pacifical is the pioneer of the first large scale blockchain initiative within the tuna industry – the system covers their entire supply chain of about 35 million tuna caught annually in an area 40% bigger than Europe and more than 200 million consumer units per year in over 23 countries can be traced and verified through the Ethereum blockchain. 
The Seafood Champion Award for Vision recognizes distinctive visions that significantly advance the sustainable seafood community. The finalists are: 
  • Janice Lao  has been working tirelessly behind the scenes in the corporate world to persuade her business colleagues to shift towards better sustainability practices in buying and offering sustainable seafood. She was instrumental in shifting the major Asian airlines on the non-carriage of shark fins and was listed in Forbes as one of the top female sustainability leaders and was awarded the 2019 Edie Sustainability Leader of the Year Award. She is now the Director of Group Corporate Responsibility and Sustainability at The Hongkong & Shanghai Hotels.
  • Dr. Darian McBain leads Thai Union's sustainability initiatives and activities. Over the last five years, her leadership has transformed Thai Union into a leader in sustainability in the food service industry, as noted in the 2018 Dow Jones Sustainability Index. Darian also created SeaChange, a comprehensive set of commitments and actions to ensure that Thai Union is operating sustainably and constantly improving to help change the seafood industry for good.
  • OPAGAC The Organization of Producers of Frozen Tuna, The "Atún de Pesca Responsable (APR)" or Tuna from Responsible Fishing AENOR certification is the first fisheries certification scheme in the world to include ILO C188 as the reference to Decent Work at sea on board fishing vessels. It also has a Chain of Custody regulation certified by AENOR and before next summer, the first can of tuna will be able to have the APR logo, as a warranty of Decent Work and Responsible fishing. The current APR standard could be applied nowadays by any tuna fishing vessel, irrespective of their flag, and therefore can be used right away for those that want to certify their fishing activities.
  • AquaSpark, an investment fund with a focus on sustainable aquaculture businesses around the world, is catalyzing entrepreneurship and pushing a vision highlighting the importance of sustainable aquaculture as a means of feeding a growing population. Investing in small-to-medium enterprises (SMEs), Aquaspark is working to promote the production of safe, accessible and environmentally responsible marine and aquatic life.  In the last five years, Aquaspark has invested in 16 early stage companies that are making big impacts in the aquaculture sector.
  • Austral, starting as the first seafood business to join with WWF and Unilever in the MSC initiative in 1996; through certification of its four main fisheries as sustainable and well-managed by 2012; at the same time harnesses the power of legal industry and collaborations with NGOs and governments to eliminate IUU fishing of toothfish by setting up a group called COLTO (Coalition of Legal Toothfish Operators). The journey continued further in 2016, with Austral offsetting their carbon footprint. In 2018, Austral collaborated to develop technological tools with WWF and Boston Consulting Group Digital Ventures, to harness blockchain traceability in the seafood production sector, linked to transparency, provenance and quality control of their seafood products. 
The Seafood Champion Award for Advocacy recognizes the promotion of sustainability, use of the media to raise the profile of sustainable seafood, work to strengthen public policy and resource allocations, and championing of advances in sustainable seafood. Here are the finalists in this category:  
  • Francisco Blaha has diversity of experience and expertise in fisheries production and management, including serving crew member and a fisheries observer in the squid, hake and toothfish fleets in Southern Argentina, a fisher in the tuna longline fishery and in New Zealand, a councilor to the NZ Seafood Standards Council, an R&D Officer at a fishing company, and he has worked as a consultant in over 50 countries for a range of development organizations. He also earned an MSc in Fisheries Biology from Argentina's fisheries research and development institute (INIDEP) and a second MSc (Food Science) at Auckland University. With this background, he brings a unique perspective to advocating for sustainability and good fisheries management and has worked to educate and advance good management with everyone in the supply chain from fishers to international institutions.
  • COMEPESCA is building a Mexican sustainable seafood movement. COMEPESCA, a multi-stakeholder group comprised of predominantly industry members, is dedicated to promoting the consumption of Mexican seafood products. They have designed and implemented #PescaConFuturo (or "fishing with a future"), a first of its kind campaign to promote the consumption of sustainable Mexican seafood and build the voice of responsible seafood producers and distributors.
  • G16 Group is a collection of 20 developing Coastal States in the Indian Ocean region that collaborate stronger voice in order to responsibly and fairly manage the shared tuna resources in the region. Such fisheries are immensely important for food security in addition to fueling local economies, however, the management decisions have been historically dominated by industrialized fleets from afar. At a time when key Indian Ocean tuna stocks are showing signs of over-exploitation the G16's work is helping to improve management and conservation in a way that is both sustainable and equitable.
  • Stephen Fisher, the Sustainability Director at Sea Delight, a Florida-based seafood supplier, leveraged his role as an industry leader to support sustainable management of trans-boundary fisheries. He directly and publicly engaged with RFMO delegates, the individuals who are the decision makers, with the express aim of getting action on swordfish and mahi mahi. Steve made explicit reference to 'market needs' in his intervention, which both highlighted the sustainability credentials of the seafood marketplace, and put pressure on the RFMO to act in the best long-term interests of the catching sector (which is often overlooked for short-term gains). The significance of this was reflected in the chair of the WCPFC comments that she was pleased to hear suppliers were beginning to gain interest in the RFMO process and noted that their participation is needed. 

北美海產展17日揭幕 波士頓經文處設宴歡迎台灣團

駐波士頓台北經濟文化辦事處處長徐佑典(右五)歡迎台灣
冷凍水產同業公會參展團。新英格蘭台灣商會會長李苡惠
(左四),波克萊台灣商會會長楊羅東(左二)陪同歡迎公會
理事長陸根田(右四),總幹事吳姿蓉(左五)等人。
(張雨坤攝)
(Boston Orange 張雨坤波士頓報導) 中美貿易戰開打,台灣將漁翁得利”?台灣冷凍水產同業公會參加北美海產展的規模,今年成長50%,參展廠商數從13增加到20,展示攤位也從17個增加到24個。
駐波士頓台北經濟文化辦事處處長徐佑典歡迎
台灣水產同業公會參展團。(張雨坤攝)
北美海產展是北美地區規模最大的海產展,今年訂317日至19日在波士頓會議展覽中心(Boston Convention and Exhibition Center)舉行,已知有來自49個國家的1329家廠商參展。台灣冷凍水產同業公會今年也擴大規模,有20家廠商參展。
駐波士頓台北經濟文化辦事處三月十六日中午,特地在龍鳳酒樓設宴,歡迎來自台灣的廠商,預祝他們參展成功。
經文處處長徐佑典在歡迎宴中表示,「聽我的同事說,台灣廠商每年來的參展規模、陣仗,還有帶來的「魚貨」都很驚人。希望大家來這兒都能探索到新機會,幫台灣和新英格蘭或是北美地區做更多聯結。」
他也說明,經文處現在雖然沒有經濟組可以直接協助廠商,但經文處的每一位同事都是廠商們的合作夥伴,廠商們有任何需要,都可以和經文處,或是波士頓地區的新英格蘭台灣商會,波克萊台灣商會聯繫,他們一定會盡力協助。
台灣冷凍水產同業公會的北美海產展參展團,今年仍由公會理事長陸根田,總幹事吳姿蓉領隊。
陸根田表示,台灣參展團的規模,今年比去年擴大50%,參展廠商數從13增加到20,佈展攤位也從17個增加到24個,展出品除了有台灣特色的水產,海產品之外,還有很多調味食品和煉製品。
吳姿蓉表示,台灣團今年以「來自台灣」為佈展主題,公會還特地請專人設計展位,在展館懸掛兩個「台灣青」招牌,以加強形象。該會今年新增部分水產加工業廠商,這次來參展,希望能把「櫻花蝦」等有台灣特色的高品質水產加工品帶進北美市場。
                 吳姿蓉還提到美中貿易戰開打,或可為台灣廠商帶來更多機會,有些美國訂單可能會因此從大陸轉移到台灣。陸根田表示,他自己的公司就從中美貿易戰之後,多接了二成到三成的北美訂單。

星期六, 3月 16, 2019

Joan Benoit Samuelson To Run 2019 Boston Marathon

Joan Benoit Samuelson To Run 2019 Boston Marathon
Celebrating the 40th anniversary of her 1979 victory, Samuelson returns to race
from Hopkinton to Boston

BOSTON – The Boston Athletic Association (B.A.A.) announced today that two-time Boston Marathon champion and Olympic gold medalist Joan Benoit Samuelson will run this year’s Boston Marathon. The 2019 Boston Marathon will be run on Monday, April 15, Patriots’ Day and One Boston Day in the Commonwealth of Massachusetts.

Samuelson will once again toe the line in Hopkinton, four decades after the then-21-year-old Bowdoin College student set a national and course record at the 83rd Boston Marathon. Crossing the finish line in 2:35:15 clad in her college uniform and a Red Sox cap, she captured the hearts of New Englanders en route to her memorable win.

“My goal is to to run within 40 minutes of my time 40 years ago, which would be sub-3:15:35,” said the Maine native. “I might as well celebrate during an anniversary year, while I’m still able!”

The 1979 win may have been her first Boston victory, but Samuelson’s leadership in distance running and the women’s running community extended far beyond that first finish line. In addition to her 1979 victory, Samuelson won the 1983 Boston Marathon in a then-world record of 2:22:43, a time that still ranks 13th on the all-time Boston list. At the 1984 Olympic Games in Los Angeles one year later, Samuelson won the inaugural Women’s Olympic Marathon, tipping her white painter’s cap to the crowd as she secured the gold medal in 2:24:52.

“We are delighted to have Joan Benoit Samuelson return to the roads leading to Boston in celebration of the 40th anniversary of her 1979 win,” said Tom Grilk, B.A.A. Chief Executive Officer. “Joanie’s impact on American running, the Boston Marathon, and women’s running in general has been instrumental, and has inspired thousands of Boston Marathoners. We look forward to her crossing the finish line again on April 15.”

Samuelson’s last Boston Marathon came in 2015, when she finished in 2:54:03. Samuelson won the Veterans (50-59) division at the 2011, 2013, and 2014 Boston Marathons, setting a Veteran’s record of 2:50:29 in 2013.

Samuelson will join 16 other Boston Marathon champions returning to run this year’s race (10 open division champions including Samuelson, and seven wheelchair division winners). Included among the John Hancock Elite Athlete Team are defending champions Desiree Linden and Yuki Kawauchi, while Tatyana McFadden and Marcel Hug return to front the wheelchair division.