Erin Genia Curates Yušká: Uncoil — the 27th Drawing Show at Boston Center for the Arts
The next exhibition at the Mills Gallery highlights the intersection of art, earth, and social change through the versatile medium of drawing.
Dates May 11 — August 3, 2024
Location Boston Center for the Arts, Mills Gallery | 551 Tremont Street, Boston 02116
BOSTON,
MA — Boston Center for the Arts (BCA) announces its 27th Drawing Show —
Yušká: Uncoil, juried and curated by Erin Genia. After a five-year hiatus,
this highly anticipated exhibition including artworks from forty-four artists
will be held at the Mills Gallery, located at 551 Tremont St, Boston, from May
11 to August 3, 2024. The opening reception will take place on Friday, May 17,
2024, from 6–9 PM, providing visitors the chance to engage with the
artists and curator firsthand.
From
traditional to contemporary, the exhibition celebrates the rich tradition and
interrogates what defines the medium. This year’s Drawing Show is Yušká:
Uncoil. In the Dakhota language, the word Yušká means: to untie, release,
uncoil, loosen, set free. Its meaning can range from the simple untying of a
knotted rope, all the way to a philosophical undoing of political, economic and
social constructs. Curator Erin Genia elaborates:
Life is
sustained by Earth and everything we do is the result of our connection to the
lands we live on. This basic reality has been lost to most, but it is central
to Dakota cosmology. All cultures of the world stem from Earth-based ways of
living, and for the past couple centuries, those ways have been targeted for
erasure and nearly destroyed by dominant societies, but we remain Earth-based
beings.
Artists’
unparalleled ability to speak to the intangible gives them a singular way of
addressing inequities and presenting visions of a better world. This power,
alongside fluency in the creative process, can be a catalyst for social change
that aligns with the Dakhota word Yušká. The crises of climate change and
ecological destruction are the result of the same cultural dynamics that are
intertwined with economic inequality and the injustices of racism. Beginning
with Yušká, how can artists honor the agency of the Earth and our place in it?
How can we devote our creative work to unraveling the immense knot formed by
harmful ideologies that threaten the web of life?
Participating
artists:
Ryan Aasen, Constanza Alarcon Tennen, Crystal Bi, Geoffrey Booras, Kameko Branchaud, Stephanie Cardon, Darius Carter, Mayté Castillo, Woosik Choi, Leah Craig, Tanya Crane, Mark Hernandez-Motaghy, Corazon Higgins, Elizabeth James-Perry, Ashley Jin, Alex Kalil, Iwalani Kaluhiokalani, Lucien Dante Lazar, Andy Li, Patte Loper, Evangelina Macias, Robbie Moser-Saito, Marie Zack Nolan, Sheila Novak, Chris Pappan, Crater Powers, Kiara Reagan, John Ros, Mica Rose, Meg Rotzel, John Roy, Michelle Samour, Homa Sarabi, Bryan Shea, Mimi Silverstein, Susanne Slavick, Sarah Slavick, Michelle Stevens, Michael Talbot, Vivian Tran, Ananth Udupa, Margaret Inga Urîas, Jael Whitney, Adam Wise and Erin Woodbrey.
Brooke Stewart Constructs a Love Letter to Boston Artists
Opening April 29, Brooke Stewart: BAD MATH, curated by
Liz Morlock is the newest exhibition in the 1:1 Exhibition Series at Boston
Center for the Arts.
Important Dates
On view: April 29, 2023, to June 3, 2023.
Public Reception and Curatorial Walkthrough: April 29 • 6pm–9pm
Public Program—Big Ink Print Workshop: May 6–May 7 • 11am–4pm
BOSTON, MA – In Brook Stewart: BAD MATH, printmaker Brooke Stewart and curator Liz Morlock bring a series of woodblock-printed portraits to the Mills Gallery. BAD MATH pushes the scale of woodblock-printing and celebrates one of Boston’s most dedicated arts subcultures. BAD MATH is the newest exhibition in the 1:1 Exhibition series presented in the Mills Gallery of Boston Center for the Arts.
The exhibition features eight portraits, each tenderly constructed and sewn together with handmade paper fashioned by combining a delicate slurry of personal items, fibers, and glue. Embedded in the surface of these portraits of friends, family, and fellow artists, viewers can see different textures: clippings from a garden; frayed embroidery strings, and even the resulting wooden splinters from the artist’s own self-portrait.
Like past exhibitions in the 1:1 Exhibition series, BAD MATH presents a collaborative project between one curator and one artist. The public reception for BAD MATH at 6pm on April 29, will be part of a full day of BCA programming. BCA will also be hosting an Open House in the Artist Studios Building next door and a Project Room Show with BCA Studio Resident Szu-Chieh Yun within the Mills Gallery.
To keep the thread of community active, Stewart and Morlock have also partnered with Big Ink to present a woodblock printing workshop on May 6–7 in the BCA Mills Gallery. The first day of that workshop, we will be celebrating International Print Day together with Boston Printmakers. People will gather at Boston Center for the Arts to celebrate International Print Day to watch large-scale printing in action at the Big Ink workshop in the Mills. Guests will also be welcome to visit BCA Studio Residents and the founders of Limited Time Engagement Press, Boyang Hou and Kate Conlon who will open their studio in the BCA Artist Studios Building.
About the Artist: Brooke Stewart
Brooke Henderson Stewart (b. 1994, Topsfield, MA) is an artist living and working in Boston, MA. She received her MFA from The School of The Museum of Fine Arts at Tufts University (Boston, MA) in 2018. Stewart’s debut solo exhibition, No Potatoes, was hosted by The Distillery Gallery (Boston, MA). Stewart will be featured in an upcoming exhibition titled Peace Love and Understanding at the Danang Museum of Fine Arts (Danang Vietnam), on view starting April 17th. Recent group exhibitions have been presented by Museum of Fine Arts, Boston (Boston, MA), Los Angeles Printmaking Society (Los Angeles, CA), LaMontagne Gallery (Boston, MA), Tokyo University of the Arts,Geidai (Tokyo, Japan), Edinburgh College of Art (Edinburgh, Scotland) and Artist Proof Press (Johannesburg, South Africa), among others. Her work has been written about in The Boston Globe, New American Paintings and Boston Art Review. Stewart currently serves as a postgraduate teaching fellow for Northeastern University.
About The Curator: Liz Morlock
Liz Morlock (b. 1993, Long Beach, CA) is a curator and writer living and working in Boston, MA. She currently serves as the Director of Steven Zevitas Gallery with a focus on providing space for emerging, contemporary artists. Morlock also works as the Marketing Manager for New American Paintings, a bi-monthly art publication featuring contemporary painters across all regions of the United States. She previously worked as the Assistant Director of Samsøñ, a gallery specializing in the representation of underrepresented artists and recontextualization of established artists. Recent writing projects consider the site-specific distribution of arts capital in the city of Boston.
About Boston Center for the Arts:
Boston Center for the Arts (BCA) supports working artists to create, perform, and exhibit new works; develops new audiences; and connects the arts to community, and has for over five decades engaged the creative community for public good. While the organization’s physical residence is in the historic South End, BCA touches every part of Boston’s cultural ecosystem. A leading force in the city’s cultural community, BCA has supported thousands of individual artists, small organizations, and performing arts companies, who add depth and dimension to the Boston arts ethos. Through residencies and programming, BCA serves as an epicenter for an expanding cohort of artists working across all disciplines, and has catalyzed careers by providing fertile ground for experimentation and artistic risk-taking. To learn more about Boston Center for the Arts, visit www.bostonarts.org
About the Big Ink Workshop
The public can attend and watch the printing process unfold. BIG INK LLC, a New England-based art education company, is teaming up with the BCA for the first time to make this learning opportunity available. BIG INK travels the country, hosting dozens of similar demonstrations in partnership with museums, universities, art centers, and galleries. Their portable printing press, called The Big Tuna, is unique in its ability to print large yet travel readily. The event will be open from 11am to 4pm, May 6–7, where visitors can see up-close printing demonstrations. The slate of artists will feature Saturday appearances by Deborah Cornell, Juan Lopez, Adrian Tio, Aurora Goodland, Rebecca Potter, Lauren Adelman, Kiara Reagan, Casey Park, and Steph Shapiro. Sunday's artists are BCA alum Iwalani Kaluhiokalani, BCA Studio Resident Karmimadeebora McMillan, Stephanie Sullivan, Sara Delaney. Bob Maloney, Chelsea Teta, Isabella Penney, Michelle Stevens, and Liv Stanislas. Admission is free.
Info: www.bigink.org/calendar
More informationExhibition details: https://bostonarts.org/experiences/exhibitions/brooke-stewart-bad-math/
Big Ink: www.bigink.org/calendar Limited Time Engagement Press: https://www.limitedtimeengagement.com/
- About the 1:1 Exhibition Series at BCA: https://bostonarts.org/2876-2/
BOSTON CENTER FOR THE ARTS LAUNCHES PLAYWRIGHT RESIDENCY WHERE BOSTON-AREA PLAYWRIGHTS CAN FULLY OWN THEIR WORK
The BCA Playwright Residency fills the dire need for a residency that holistically supports playwrights’ entire creative process from inception to reading.
Important Dates:
Application due by: September 11, 2022
Notification on or by: September 23, 2022
BOSTON, MA — Boston Center for the Arts (BCA) is thrilled to announce the new BCA Playwright Residency. This year-long residency has been designed to support three rising Boston-based playwrights in the creation of new work, while protecting the creative control and ownership of their innovative work. The BCA Playwright Residency will provide access to office, rehearsal, and performance space, marketing support, professional mentorship, community partnerships, and workshops.
The BCA Playwright residency helps further the playwrights’ creative process by catering support and direction to each artists’ needs. It is a process-based residency where the playwright can focus on a new work–defined at BCA as something that does not exist or is an idea that needs cultivating.
Specifically, playwrights will have their own station in a shared office space with their fellow playwright residents. Each resident will have access to five days in the Black Box Theatre or Martin Hall in the Calderwood Pavilion, for a mid-year workshop of the play. Playwrights will have a budget to cast actors and dramaturgs; and the option to seek industry feedback. To conclude the residency, there will be a final staged reading in the Plaza Theatre.
Like other residency programs at BCA, the BCA Playwright Residency aims to gather a diverse and inclusive community of artists for the purpose of supporting innovative work across disciplines, connecting artists with peers and resources, and providing a vibrant platform for new art in Boston. Each application will be evaluated based on the artist's demonstration of experimentation, responsiveness, balance, community engagement, and potential impact.
Fernadina Chan and Jessi Stegall, Latest Boston Dancemakers Residents, Creating New Dance Pieces Exploring Concepts Of Legacy And Race
New works build on Michael Alfano’s sculpture “Cubed” and theremin virtuosa Clara Rockmore’s music
Jessi Stegall and Fernadina Chan will both develop work during their year-long residencies at BCA inspired by, and in deep conversation with, other two artists who inspire each of them.
Left: Fernadina Chan (photo: Phyllis Bretholtz) / Right: Jessi Stegall (photo: Lo Kuehmeier)
In Jessi Stegall’s case the theremin virtuosa Clara Rockmore is the inspiration behind
Stegall’s upcoming piece “The Theremin Vignettes.” Stegall notes that her own work is,
“rooted deeply in odes — responding to, building, and furthering the legacy of worlds
crafted by others,” which in this case is the extraordinary but under-appreciated work of
Rockmore. For Fernadina Chan, Michael Alfano’s interactive sculpture “Cubed” is the
starting point for Continuum Dance Project’s new work that will develop into an
exploration of race and gender from a female perspective, contrasting and harmonizing
with Alfano’s sculptural intention.
About Fernadina Chan and project:
Accomplished educator and choreographer Fernadina Chan is the founding artistic dean
and former chair of Boston Arts Academy (BAA). Fernadina Chan founded Continuum
Dance Project (CDP) — together with her collaborator and co-director Adriane Brayton
— as a means to create site-specific, cross-disciplinary collaborative work that reflects
the backgrounds of their collaborating artists.
In a new evening-length work CDP will explore the multi-layered connection with
Michael Alfano’s interactive sculpture “Cubed.” Built like a jigsaw puzzle, “Cubed”
consists of nine moveable pieces. Each piece is pigmented with a different skin tone,
representing individual diversity within a united community. Fitted together they form a
four-foot by four-foot face, depicting a male image on one side and an inverted female
on the other.
This new cross-disciplinary dance will challenge audiences to consider the nuances of
race and the label of gender; while empowering them to interact with, touch, and take
ownership of the work. This project will feature four diverse female dancers, with family
backgrounds from The Dominican Republic, Haiti, South Korea, The U.S. Virgin Islands,
and United States. Along with female choreographers Adriane Brayton and Fernadina
Chan, this creative team will explore race and gender from a female perspective,
contrasting and harmonizing with the sculptor’s intention.
About Jessi Stegall and project:
Jessi Stegall is a dance-theatre artist, applied ethicist, and arts educator based in Boston.
Jessi currently approaches performance as an act of ode: expressing curiosity and
homage toward worlds built by others. She has been an artist-in-residence at the
Harvard ArtLab, National Parks Service, Windhover Performing Arts Center, and Jacob’s
Pillow Dance Festival, and was recently featured as one of Dance Magazine’s “25 to
Watch” (2022) alongside her close collaborator, Ilya Vidrin.
Jessi Stegall’s upcoming work “The Theremin Vignettes” is an evening-length dance
production made up of a series of choreographic vignettes within the musical world of
thereminist Clara Rockmore. Despite being credited as the best theremin player to have
ever lived, Rockmore remains under-recognized and overlooked for her immense
contributions initiating the relationship between electronic interface and classical music.
“The Theremin Vignettes” is, first and foremost, an ode to Clara: a Jewish woman,
virtuosa and pioneer of electronic music, strong-willed and charismatic yet barely 5 feet
tall.
More broadly, this piece will pay homage to what is simultaneously so human in spirit,
yet not human in form: the musical theremin. The only instrument to be played without
physical contact, the theremin produces a warbly and eerie tone made from thin air,
often associated with science fiction films. Rockmore’s theremin arrangements of
classical works elevated the instrument above novelty status, bringing precision and
composition to an otherwise seemingly random and crude instrument. It has been said
that Clara aimed to “bestow the non-human [theremin] a soul.” In an age where the
relationship between humans and machines is becoming increasingly more intimate, her
goal has more meaning now than ever. By choreographically illuminating Rockmore’s
unique use of the theremin, “The Theremin Vignettes” aims to choreographically
highlight the music’s soulful charm through idiosyncratic narratives of departure, grief,
and remembrance.
More Artists’ Quotes:
Fernadina Chan, Continuum Dance Project (CDP):
“We are so excited to have Boston Center for the Arts be our “home” for inspiration and
creation in 2023. Through our Dancemakers Residency, we look forward to continuing
the development of ideas generated during our initial exploration of Michael Alfano’s
“Cubed” at our AiR Residency in 2022. The accessibility of the sculpture throughout our
creation period will be vital to the creative team. During the residency we will focus on
experimentation; ideation; and shaping the full-length work as an interdisciplinary team.
We will initially share the work through informal showings with invited audiences to test
the interactive and participatory elements we will be crafting.”
Jessi Stegall:
“I am extremely excited to spend this year deepening my practice of ode-making with an
interdisciplinary team. With the support of the Dancemakers Residency, I am looking
forward to experimenting, prototyping, and reflecting — not only in building
choreography, but all the moving parts of developing a performance production.”
Andrea Blesso, Director of Dance & Interdisciplinary Arts, Boston Center for the Arts:
“Boston Center for the Arts and Boston Dance Alliance are delighted to welcome two
extraordinary dancemaker talents in Fernadina Chan and Jessi Stegall as this year’s
Boston Dancemakers Residents. Together with their equally talented collaborators, they
will each create what promises to be thought-provoking and ground-breaking pieces
that will move us all. I am eager to deepen our partnership with these visionaries as they
both return to BCA in their new roles as our Dancemaker Residents.”
Debra Cash, Executive Director of Boston Dance Alliance:
“Boston Dance Alliance’s partnership with BCA to create the most comprehensive dance
residency in Boston continues again this year with two extraordinary dancemakers
pushing the boundaries of their discipline. We are thrilled by the wonderful selection of
Fernadina Chan and Jessi Stegall and can’t wait to see the work that emerges!”
About The Boston Dancemakers Residency:
The Boston Dancemakers Residency supports Boston-area dance artists who are striving
to develop, adapt or reinvent their creative process. Produced through a partnership
between Boston Center for the Arts (BCA) and Boston Dance Alliance (BDA), the
residency serves as a laboratory for ideas that are in the exploratory phase and need
dedicated time and space to be fully realized.
Designed to promote artistic growth and the development of original ensemble work,
dancemakers will be offered support for research, development, rehearsal, financial,
and production phases of their project. Resources include a regional three-day retreat,
six weeks of intensive studio time, discounted rehearsal space, dancemaker and
collaborator stipends, and rehearsal pay for up to six dancers.
The residency must be used to develop new work and the majority of rehearsal time
should be dedicated to the proposed project. BCA and BDA encourage dancemakers to
take risks, invest time and focus in working with their dancers, build the skills to develop
and advance original ensemble work, and dive deeply into their creative process.
The Boston Dancemakers Residency is made possible with support in part from the Aliad
Fund at The Boston Foundation.
About Boston Center for the Arts:
Boston Center for the Arts (BCA) is the nexus of the arts in Boston, fostering the
development of contemporary visual and performing arts and convening artists and
audiences to create, explore and celebrate all creative disciplines. An integral part of the
cultural fabric of the City of Boston, Boston Center for the Arts utilizes its historic
campus in the vibrant South End to present world-class exhibitions and performances,
provide affordable work space, engage cultural consumers throughout the region, and
nurture artists with the resources to take risks and develop new art works.
About Boston Dance Alliance:
Boston Dance Alliance (BDA) builds capacity for dance by identifying and creating shared
resources, information, and productive partnerships to help dance flourish across the
Boston metropolitan area and New England region. BDA is an independent service
organization representing dancers, choreographers, teachers, presenters, allied arts and
cultural professionals, arts journalists and scholars, wellness and health providers, and
dance enthusiasts brought together across dance genres and geographies. BDA strives
to increase cultural equity and access to dance for diverse communities, build dance
audiences, and promote quality and sustainability.
Photography and more information:
● Boston Dancemakers Residency on the BCA website
● Fernadina Chan’s Dancemakers Residency page on the BCA website
● Jessi Stegall’s Dancemakers Residency page on the BCA website
● The BCA website
● The BDA website
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